Module Code - Title:
CS4083
-
SOUND SYNTHESIS
Year Last Offered:
2025/6
Hours Per Week:
Grading Type:
N
Prerequisite Modules:
Rationale and Purpose of the Module:
This module will cover classical and contemporary sound synthesis techniques applied through industry-standard software, with a focus on the aesthetic and technical aspects of sound design for music, games, film, etc.
Syllabus:
This module covers classical sound synthesis techniques from early electronic music to contemporary signal processing. Theory and practice are explored through industry-standard software. These materials are evaluated through the lens of sound design and processing aesthetics.
Learning Outcomes:
Cognitive (Knowledge, Understanding, Application, Analysis, Evaluation, Synthesis)
On successful completion of this module, students should be able to:
1. Identify basic classical synthesis techniques
2. Construct synthesis methods in industry-standard software applications
3. Manipulate software to perform musical applications
4. Utilise good software writing practices
5. Evaluate synthesis results
6. Combine synthesis methods for complex sound interactions
7. Demonstrate proficiency with software tools.
Affective (Attitudes and Values)
On successful completion of this module, students should be able to:
1. Evaluate and critique sound design in relation to purpose and aesthetics
2. Demonstrate an appreciation of synthesis techniques and their uses.
Psychomotor (Physical Skills)
N/A
How the Module will be Taught and what will be the Learning Experiences of the Students:
The module is taught through hands-on projects. The projects are self-managed, collaborative, requiring skills taught through the module. Students are then required to articulate their project aims and solutions.
Research Findings Incorporated in to the Syllabus (If Relevant):
Prime Texts:
Cipriani, Alessandro and Giri, Maurizio (2010)
Electronic Music and Sound Design
, ConTempoNet
Wilson, Scott; Cottle, David; Collins, Nick, eds. (2011)
The Supercollider Book
, MIT Press
Farnell, A. (2010)
Designing Sound
, MIT Press
Dodge & Jerse (1997)
Computer Music
, Schirmer
Other Relevant Texts:
Dodge, Charles and Jerse, Thomas (1997)
Computer Music: Synthesis, Composition and Performance (2nd ed)
, UK: Schirmer
Programme(s) in which this Module is Offered:
BSMMPTUFA - MUSIC, MEDIA AND PERFORMANCE TECHNOLOGY
Semester(s) Module is Offered:
Autumn
Module Leader:
Jurgen.Simpson@ul.ie